Who said you have to suffer for your art?
No more backpack-laden uphill hikes pre-sunrise for me. I’ve had it up to here with standing around in loch-side mud getting chewed by midges. It has finally dawned on me that I’m no longer interested in putting up with endless hours in the rain and howling winds without sleep, food, relaxation or wine in the name of landscape photography. Same goes for the effort involved in trying to keep up with the exaggerated strides of blokes 2 metres tall, each with 3 cameras, 10 lenses and 2 tripods in their backpacks, as on The Day I Landed on Mars.
Landscape photography tours and workshops can be wonderfully inspiring thanks to the places you visit and the input and feedback provided by the workshop leader. The people you meet and exchange information, views and ideas with can also make all the difference. But do we need to experience extremes or push ourselves to physical limits in order to create interesting images?
These were my thoughts when I came across an “impressionist photography” workshop in Giverny arranged in summer 2019 by photography workshop leader Cheryl Hamer. It sounded just what I wanted: a peaceful rural location, a small group, no early morning rises, no long hikes to extreme locations in wild climatic conditions. Just an unexplored photographic technique for me to learn about and practise (multiple exposures with an impressionist effect). Plus I love French food, wine, the sounds of the French language, and Monet’s water lily paintings.
In the stunning setting of Monet’s garden at Giverny, Cheryl’s clear input and supportive feedback, both of which came in just the right doses at the right time, provided plenty of opportunities for creating images in Monet’s garden. The fact that this particular group turned out to be made up of lovely, friendly people with a sense of humour who also appreciated pain-free photography in a relaxing environment was an unexpected bonus.
Not that I’ll be giving away my midge net, wellies or rainproofs yet though: Northern Ireland is my next stop.
You can read about the Atlantic Reach project here. The proceeds are going to the Samaritans.
My contributions to the project are below.
This sound I’m hearing, is it the wind reverberating through the twelve bens? An echo from across the ocean? Maybe a ghostly hungry moan lingering from the past?
(Or Yvonne: could it be the humming sound that comes from past-their-shelflife hearing aids when the batteries are left in overnight by mistake?)
Whatever the case, this “green swathe of soft glens, pasture and rainy hills” and the “swathes of white sand”, are places “fit for thinking”, as Tim Scott put it in The Guardian over a decade ago.
And photography is a way of thinking a place.